Naso Art Journal’s studio visits extend its editorial practice into the lived spaces of artistic production, functioning as a form of visual and narrative research. Through carefully constructed videography and photographic essays, these visits translate the intimacy of the studio into a public-facing archive, pairing in-depth interviews with visual documentation that treats the moving and still image as parallel forms of critical inquiry. Rather than illustrating finished works alone, this approach reveals process, material choice, and the spatial and conceptual conditions that shape artistic practice beyond exhibition contexts.

This digital dimension brings artistic work into a dynamic field of engagement, capturing practices at a specific moment in an artist’s journey while situating them within broader regional and international discourse. For MENA artists, the studio visits operate as a personal yet institutionally grounded archive, preserving individual trajectories as part of a growing visual and cultural record that remains accessible to future readers, researchers, and cultural institutions.